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Latest Art Market Internet Startups – artmarketblog.com

admin — Sun, 05 Feb 2012 13:34:40 +0000

Latest Art Market Internet Startups – artmarketblog.com

Here is a list of the best new art market internet startups:

my-artmap

http://www.myartmap.de

my-artmap is a social network and the social network for art & the art market. Members are persons or institutions who deal professionally with art and the art market (auction house, commercials, galeries, museums, exhibitions) and private persons who are interested in art. They all have through my-artmap the chance to talk about art, to show and to share art, as well as to inform themselves about current exhibitions, appointments etc. The network my-artmap claims to establish the worldwide leading social network for art & the art market. Currently my-artmap is available in 7 different languages and provides an unique network which will be expanded by more languages and functionalities.

Artolo

http://www.artolo.com

The visual art world reinvented, rebooted and made accessible to all.

An online platform that allows you to discover and purchase work ANYWHERE, be it your local cafe, an artist studio near your holiday destination or in the basement of a well-established gallery.

A place where ANYBODY can resell work from a piece by a friend to a Monet discovered in the attic.

And a place where EVERY artist will have all the tools they need to present their work, connect with the right audience and manage the process of a sale. The art world will never be the same.

ArtBinder

http://www.artbinder.com

ArtBinder’s mission is to offer galleries a brilliant way to display a curated selection of their works.

ArtBinder provides galleries with an elegant iPad solution with intuitive tools to streamline the sales and presentation experience.

Ocula

http://www.ocula.com

Ocula presents leading contemporary galleries in Australia and New Zealand in one place.
On Ocula you can browse the latest exhibitions, explore a gallery stockroom, and discover
works by artists they represent.

Ocula online art auctions offer exciting opportunities to buy art in a new way. Prospective bidders
can access comparable sales data, artist’s profiles and provenance all at the click of a mouse.
High-resolution images  reveal details, a zoom tool gets you up close and many artworks offered
can be viewed prior to and during an auction at  our gallery in Auckland. Or you can use our virtual
gallery which offers 3D viewing of the works.

Artfinder

http://www.artfinder.com

At Artfinder.com you can explore our huge gallery of works (from over 400 museum and gallery collections), build your own art profile, collect the art you love, and share it with your friends.

The more Artfinder learns about the works you like, the better it can recommend similar art for you to discover, and connect you with other Artfinder users who share your tastes.

Collectrium

http://www.collectrium.com

Founded by Boris Pevzner in 2009, Collectrium is a New York-based company providing innovative technology for organizing, discovering, sharing, and promoting art on the web and mobile devices, including the revolutionary ArtCapture and virtual wall tools. Over time, the Collectrium team—which has extensive expertise in the fields of technology, finance, and the fine and decorative arts—will offer collectors and galleries integrated services for art storage, appraisals, financing and other needs.

Artnetbook

http://www.artnetbook.com

Artnetbook is a web-based art management solution, art management web tool to manage, market and sell your arts online. Manage your arts on the web from anywhere in the world!

Artnetmarket will allow art people, artists, art galleries, to freelty join online artnetbook.com art community and add profiles for free.

The idea of ArtMap lays in the systematic interactive map with thorough art directory. Visitors will be able to find and search for the different part of art world services provided by different institutions.

**Nicholas Forrest is an art market analyst, art critic and journalist based in Sydney, Australia. He is the founder of http://www.artmarketblog.com, writes the art column for the magazine Antiques and Collectibles for Pleasure and Profit and contributes to many other publications.

Top 5 Art Market Internet Startups – artmarketblog.com

Jan 2012 Art Market Blog Press Update – artmarketblog.com

admin — Thu, 19 Jan 2012 18:58:48 +0000

Jan 2012 Art Market Blog Press Update – artmarketblog.com

Just a few recently published articles that I wrote. Hope you enjoy !!

In Recognition of an LA-Centric Art Market Trend

http://www.fabrikmagazine.com/content/in-recognition-of-an-la-centric-art-market-trend/

Latest London Contemporary Art Auction Roundup

http://www.arterynyc.com/2011/12/october-2011-london-contemporary-art-auction-roundup/

Pearls prove a collectors best friend

http://www.worthpoint.co.uk/2012/01/pearls-prove-a-collectors-best-friend/

image: Painting by Frederick Hammersley

Singapore to Conquer French Contemporary Art Market – artmarketblog.com

admin — Fri, 13 Jan 2012 17:41:51 +0000

Singapore to Conquer French Contemporary Art Market – artmarketblog.com

Having focused recent posts on the Southeast Asian art market, I found it particularly interesting that Artprice have announced that Singapore should soon overtake France in the field of Contemporary art sales. Although 2011 was a better year for France than 2010, the French art market is still lagging behind other major art market centres. Currently fourth in world art market rankings, France may be heading further down the list if Singapore continues to rise through the ranks.

Evidence of the growing profile of Singapore as an art market hub is the success of the Art Stage Singapore art fair first held in 2010 and currently taking place in Singapore from the 12th to the 15th of January. According to their website: “Art Stage embraces Singapore’s unique position as a bridge between the East and the West in a celebration of both emerging new regional artists and international superstar names.” The inaugural edition of the fair attracted 121 galleries from 26 countries and regions, and 30 special projects, with the number of visitors hitting 32,000. This year, the show will host 120 exhibitors from 18 diverse nations and will be introducing 50 special projects. Adding to the hype of the 2012 edition of the fair is the inclusion of major international galleries such as White Cube, Haunch of Venison and Victoria Miro.

What first alerted me to the importance of Singapore to the market for Southeast Asian art was the number of works by Indonesian and Filipino artists being sold by Singaporean auction houses. The main auction houses with a presence in Singapore are Masterpiece Fine Art Auction, Borobudur Auction, Larasati Auctioneers and 33 auction. Enticing bidders with the lowest buyers premium in Singapore of between 10% – 12%, 33 auction auction have proven to be one of the main players in the Singapore art market. Having moved major sales of modern and contemporary South-East Asian paintings from Singapore to Hong Kong in 2007, both Christie’s and Sotheby’s may now be regretting this move. The move did, however, allow the regional auction houses to gain a foothold that has resulted in a strong regional art auction market that continues to grow.

Without the same high profile as artists coming out of Indonesia and the Philippines, Singaporean contemporary artists still have a long way to go before they catch up to the success of Singapore as a destination for Southeast Asian art. But, with the way the Singapore art market is heading, it may only be a matter of time before we see some big prices for Singaporean artists – and the French being left behind by the Singapore art market machine.

Why Indonesian Artists are Hot Property – artmarketblog.com

admin — Fri, 06 Jan 2012 16:02:51 +0000

Why Indonesian Artists are Hot Property – artmarketblog.com

My previous post revealed some recent auction results that suggest that the market for the work of some of Indonesia’s top artists is gaining strength. One of the factors that has contributed to the strength and resilence of the market for Indonesian art is the existence of a cross cultural dialogue between east and west that is due to the Dutch colonisation of Indonesia that ended in 1942. This dialogue is not limited to the influence of Eestern art on Indonesian artists; many Western born artists such as Walter Spies, Theo Meier, Le Mayeur de Merprès and Hofker spent time in Indonesia and produced work that was heavily influenced by Indonesian society and culture. An indication of the close connection between the Netherlands and Indonesia is the partnership between Larasati, an Indonesian auction house, and Glerum, an Amsterdam based auction house. In 1990 Glerum became the first Dutch auction house to organize specialist auctions of Dutch colonial and modern Indonesian art. Their first joint sale with Larasati in 2000 resulted in a new world record W.G. Hofker when the artist’s ‘Ni Noneh’, offered by a collector in the Netherlands, sold for € 386,000. Also achieving a high price was a work by Hendra Gunawan titled ‘Fruit Seller’ which soared past the Rp 180 – 240 million estimate for a final price of Rp 550 million.

Although the frequency of high prices has not reached 2008 levels, the prices being achieved for the work of many Indonesian artists have, importantly, not gone down – and in some cases, have continued to increase. 2011 proved one of the best years for Indonesian art since 2008 with many new auction records set. An example of the demand for works by Indonesian artists was Christie’s November 27 Asian 20th Century Art (Day Sale) in Hong Kong which saw some excellent prices achieved for works by Indonesian artists. The seventh highest price of the sale went to S. Sudjojono’s ‘Ngaso’ which blitzed the 800,000 – 1,200,000 HKD (102,612 – 153,919 USD) estimate for a final price of 3,860,000 HKD (495,106 USD). Hendra Gunawan’s ‘Bathing by the river’ achieved the tenth highest price of the sale with a final price of 3,620,000 HKD (464,322 USD) against an estimate of 700,000 – 1,000,000 HKD (89,786 – 128,265 USD).

Christie’s November 26 Asian 20th Century Art (Evening Sale) in Hong Kong again produced some stellar results for Indonesian art. Adrien Jean Le Mayeur de Merprés’ ‘Three dancers in the garden ‘ produced the fifth highest auction price for the artist selling for 7,940,000 HKD (1,018,431 USD) against an estimate of 2,700,000 – 3,700,000 HKD (346,318 – 474,584 USD). ’Barong dance’ by Indonesian born artist Affandi achieved 4,220,000 HKD (541,282 USD) against an estimate of 1,800,000 – 2,500,000 HKD (230,878 – 320,664 USD) – the second highest price for the artist at auction.

Although the market for Indonesian art centres around the work of more established artists, there is still considerable interest in younger contemporary Indonesian artists. A retrospective exhibition of the work of contemporary Indonesian artist Heri Donow was held at the Tropenmuseum in Amsterdam in 2009 and represented an important recognition of the global relevance of contemporary Indonesian art. According to the Tropenmuseum: “Dono can truly be called a glocal artist: a term which contracts the words local and global. The story of his images is about the changing face of Indonesian society that is not separate from developments in the rest of the world. This story is meant for a broad audience; though it is coded (criticizing politicians has long been a dangerous activity), it recognizable and accessible. Glocal art shows how local sources can still nourish artists in a time of globalization to say something about the world around them. Dono dislikes the distinction between high art and low art. He never literally copies traditional art; he plays with the image material in a personal style influenced by various European artists such as Matisse and Picasso, and artistic trends such as Cobra, nouveau réalisme and fluxus.”

Overall, the high auction prices being achieved for Indonesian artists combined with the significant number of works by Indonesian artists that frequently exceed the auction estimate suggests that works by such artists are currently undervalued. As Asian buyers continue to become more wealthy and more interested in collecting art, and Western buyers continue to search for undervalued and untapped sources of “new” art, the work of Indonesian artists is likely to only become more popular.

image:

‘Ngaso’ by S. SUDJOJONO
(Indonesian, 1914-1986)

Ngaso

Description S. SUDJOJONO

(Indonesian, 1914-1986)

Ngaso

signed ‘S. Sudjojono’ (lower right); signed with artist’s monogram, titled and dated ‘Ngaso 1964′ (lower centre)

oil on canvas

140 x 100 cm. (55 1/8 x 9 3/8 in.)

Painted in 1964

Medium oil on canvas

Year of Work 1964

Indonesian Art Soars at Hong Kong Auction – artmarketblog.com

admin — Fri, 30 Dec 2011 18:52:14 +0000

Indonesian Art Soars at Hong Kong Auction – artmarketblog.com

On the 26th of November 2011, an auction was held in Hong Kong of Modern and Contemporary Art that produced results which allude to a continued desire for the work of the top modern and contemporary Indonesia artists. The auction was held by United Asian Auctioneers, “a consortium of four of Asia’s leading modern & contemporary Asian art auctioneers – Asian Art Auction Alliance (A|A|A|A) the overseas arm of Japan’s Shinwa Art Auction, Korea’s K-Auction, China’s Beijing Hanhai Auction Co. and Singapore’s One East Larasati”, and included works by a range of artists from China, Japan and South East Asia as well as works by Western artists such as Warhol and Dali.

The top price of the auction went to the young Indonesian artist Handiwirman Saputra whose witty surrealist style painting, Pose No. 6 – Sofa, sold for HK$870,000 against an estimate of 700,000 – 1,200,000 HKD. Solid support from the cultural sector combined with the nature of his work, which appeals to both Western and Eastern collectors, seems to have shielded Handiwiriman’s prices from the effects of the financial crisis. Falling just short of the price achieved for Handiwiriman’s work but selling much closer to the high estimate was lot number 21, Masih panas (Still hot), a large acrylic on canvas by Indonesian artist Nyoman Masriadi. Estimated to sell for 500,000 – 900,000 HKD, Masriadi’s painting fetched a final price of HK$840,000. The first solo exhibition of Masriadi’s work was held at Paul Kasmin Gallery from April to May 2011 which would have significantly aided the artist’s reputation and helped justify the high prices paid for his work.

A work by one of Indonesia’s more senior artists, S. Sudjojono, took the third highest price of the auction with his emotive painting Tiga orang majus. Given an estimate of 600,000 – 800,000 HKD, Tiga orang majus sold for a fantastic HK$720,000 – the third highest price achieved for Sudjojono’s work at auction. Falling just short of the second highest auction price of USD 108,318 (841,247.13 HKD) achieved for the painting Gunung Gede dan Pangrango, as sold by Singapore’s Masterpiece Fine Art Auction house in November 2011, the price achieved for Tiga orang majus is evidence that the desire for Sudjojono’s work remains strong post financial crisis.

To be continued……..

image: Tiga Orang Majus ( The Three Wise Men) by S. Sudjojono

Cautious Optimism at Chinese Art Auctions – artmarketblog.com

admin — Sun, 11 Dec 2011 16:43:25 +0000

Cautious Optimism at Chinese Art Auctions – artmarketblog.com

Although the latest round of auctions of Chinese art suggest that the rate of growth of the Chinese art market appears to have slowed somewhat, the results are far from disappointing. In fact, the sheer volume of works being sold combined with the prices being paid for many of the most desirable works appearing at auction in China is difficult to fathom. While most of what we know about the market for Chinese art comes from Western sources, the true state of the Chinese art market can really only be determined by looking beyond the results of Western auction houses such as Christie’s and Sotheby’s, to the results of Chinese auction houses such as China Guardian auctions and Beijing Poly International auctions.

When delving into the depths of the epic auctions held by China Guardian and Beijing Poly International it becomes apparent that the Chinese art market is very much still dominated by works produced using traditional techniques and displaying a classical aesthetic. Traditional style ink on paper paintings clearly influenced by Chinese calligraphy occupy so many of the top prices paid at auction in China that one could be forgiven for thinking that Chinese buyers aren’t buying anything else. Although the 2011 Autumn auctions held by China Guardian and Beijing Poly yielded some truly remarkable results that seem to create a positive picture of the Chinese art market, the market’s reliance on such a narrow niche is cause for concern.

The highlight of the 2011 Chinese Autumn auction season was the sale of Xu Beihong’s ‘Cultivation on the Peaceful Land’ which was sold by Beijing Poly International for a record RMB 266,800,000 (42,108,586.09 USD). Coming in a close second was Fu Baoshi’s masterpiece ‘Chairman Mao’s poetry octavo volumes’ as sold by Beijing Hanhai auctions for an artist auction record of RMB 200,000,000 million (31,565,656.74 USD). Shengjia auction sold “Chairman Mao’s poetry octavo volumes” in 2003 for 19,800,000 – a record at the time for Baoshi’s work. The third highest price went to an album of landscape paintings by the master Qi Baishi which fetched RMB 194,000,000 (30,618,687.03 USD) at China Guardian’s “Grand View: Chinese Paintings Highlight” held on the 13th of November. Previously sold by China Guardian for RMB 5.17 million in 1994, Baishi’s landscape album is an good example of how rapidly the market for Chinese art has developed. Also breaking the RMB 100 million mark was Wang Hui’s “Chinese poetic figure” which was also sold by China Guardian for RMB 126,500,000 (19,965,277.89 USD).

One of the most notable diversions from the traditional ink on paper paintings was the sale of San Yu’s CHRYSANTHEMUM oil on board for RMB 34,500,000 ( 5,445,075.78 USD). The Chinese born, Paris trained artist’s CHRYSANTHEMUM resembles the work of European abstractionists more than the work of any traditional Chinese artist, but still exhibits elements reminiscent of the traditional Chinese aesthetic. The auction record for a work by Yu is USD 14,726,564.

iamges:

1. ‘Chairman Mao’s poetry octavo volumes’ by Fu Baoshi

2. ‘Cultivation on the Peaceful Land’ by Xu Beihong

2011 Christmas Gifts for Art Lovers (update 1) – artmarketblog.com

admin — Sun, 04 Dec 2011 03:28:12 +0000

2011 Christmas Gifts for Art Lovers (update 1) – artmarketblog.com

That time again art lovers!!! Here is my annual list of top Christmas gifts for art lovers. Feel free to make suggestions as comments.

Swatch Markus Linnenbrink Set Limited Edition

This special limited edition (editon of 777) set celebrates the collaboration between Markus Linnenbrink and Swatch. This set consists of Timeisneverenough SUOZ118 and Wereallgoingtodie(ForRon) SUOZ115. Specially designed packaging for both watches, showing off the artist’s penchant for colour and flair.

£127.00

http://eu-shop.swatch.com/GB/EN/Watches/Originals/New_Gent/MARKUS_LINNENBRINK_SET_Limited-SUOZS05.aspx

Akris Olbrich Scarf, Silk Georgette

As part of its tenth anniversary celebration, Neue Galerie New York has collaborated with Akris designer Albert Kriemler on the creation of a limited edition scarf available at the Neue Galerie Design Shop.

The scarf was inspired by architect Joseph Maria Olbrich’s renowned 1908 building, The Wedding Tower, on the Mathildenhohe in Darmstadt, Germany. This unique piece features a photo of the structure taken by Jurgen Schreiter printed on both cashmere and silk. The works of Joseph Maria Olbrich, who co-founded the Vienna Secession movement, were the inspiration for the Akris Fall/Winter 2011 runway collection.

53 x 53 in.
LIMITED EDITION
NEUE GALERIE
EXCLUSIVE

US$595.00

Buy here:

https://www.neuegalerie.org/product/akris-olbrich-scarf-0

Basquiat White Perfumed Candle from Ligne Blanche

Yellow carton box with one white Basquiat perfumed candle of 140g. Fragrance by Givaudan.

Perfume : sensual woody

€35.00

Buy here:

http://shop.ligneblancheparis.com/~lbp/e/50/

Damien Hirst Somerset Twenty Year Old Cider

On Apple Day , October 22nd , we will commemorate Somerset’s historic victory in Brussels with the release of a Damien Hirst designed label and box for the 20 Year Old Somerset Cider Brandy. The four year battle in Brussels ending with our victory and the approving of the words Somerset Cider Brandy, against vigorous objections from the Spanish, Italians and Scots and the granting of a PGI, (legal EU protection for the spirit’s geographic origins and an Appellation Controle) is in our view about as good as it gets and the Hirst box and label will be something to remind us of this for years to come.

50cl (42%) – £85.00

Buy here:

http://www.ciderbrandy.co.uk/shop.html

Georg Jensen 2011 Annual Christmas Mobile – Snow crystal

2011 Mobile Snow Crystal
single pcs. plated with 24 kt. Gold
Measurements: 85/97/28 mm

Designer: Flemming Eskildsen

€44.00

Buy here:

http://www.georgjensen.com/global/seasonal/christmas-collectibles#collection-start

Syringe Pen from MONA (Museum of Old and New Art)

Is that a syringe? Um, no it’s a pen, branded MONA, in a glass test tube. It’s around 20 cm long. If you’ve been to the Museum you know where the idea came from. If you haven’t been to the Museum, you should.

AU$12.50

Buy here:

http://mona.net.au/shop/ProductDetail.aspx?productID=39

Glass Picture Frame by Fracture

The “HD-TV”of photo framing. A Fracture is a one-piece picture and frame made from printed glass, that comes with everything you need to mount and display on your wall. Because the entire frame is printed digitally, there are potentially limitless ways you can make your Fracture unique.

From US$8.00 to US$35.00

Buy here:

http://www.fractureme.com/

Artist Customised Moleskine Notebook from Moleskine

1. Artists use authentic Moleskine notebooks as their canvas.

2. Create one-of-a-kind art on the cover

3. And sell directly to you

**design pictured by CLOUDBERRIES

US$8.00 and up

Buy here:

http://artistmarketplace.moleskine.com/en/buy

Subscription to THE THING

THE THING quarterly is an object based publication produced by visual artists Jonn Herschend and Will Rogan. Each issue is conceived of by a different contributor. The object is reproduced, wrapped, and shipped to the subscribers. THE THING Projects is an off-shoot that encompasses a wide range of artworks and events. In subscribing to THE THING you will receive a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers are invited to create an everyday object that somehow incorporates text. This object will be reproduced and hand packed at a wrapping party and then mailed to the homes of the subscribers with the help of the United States Postal Service. The subscription price of $200 does not include shipping.

US$200.00

Buy here:

http://www.thethingquarterly.com/subscribe.html

Fine Art Photography from PurePhoto

PurePhoto is a new kind of site – a social commerce network – that directly connects art collectors to photographers. We have fused art education, social networking, and buying into a single site. Whether you’re buying your first piece, an established collector, an artist, or an interior designer, PurePhoto makes it easy to discover and purchase new images from all over the world without leaving the comfort of your pajamas. You won’t have to visit 15 galleries, get accosted by a man named Dieter in a black turtleneck or be turned away because you have never heard of the artist. We are revolutionizing art sales by making it easy for everyone to discover, connect and collect.

Various Prices

Buy here:

http://www.purephoto.com

Digital Limited Edition from s[edition]

s[edition] makes art collecting instant, affordable,
social and enjoyable.

Now you can buy art by the world’s leading contemporary artists at a price you can afford. Once editions are sold out, you can sell your works to other collectors through the s[edition] marketplace launching soon.

As a collector, you receive regular information directly from the artist, get priority access to new editions and can connect to other collectors.

Turn your screens into art.

Various prices

Buy here:

http://www.seditionart.com/

The Great Contemporary Art Bubble DVD by Ben Lewis

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.
Why?

He had spent the whole of 2008 making a documentary investigating the reasons behind the booming contemporary art market, and they didn’t like what he was finding out… Art critic and film-maker Ben Lewis spent over a year investigating this contemporary art bubble in Europe, America and China and discovered a world of secretive deals, speculation, tax breaks and market manipulation that involved the whole art world – dealers, collectors, galleries, auction houses and even public museums. In the climax of the film, his discoveries lead him to play his own small secret part in the bursting of the contemporary art bubble. Includings interviews with leading dealers, gallerists, auction house specialists, artists and financial analysts.
Shown at the Montreal Film Festival, Vancouver Film Festival, San Francisco Documentary Festival and Tel Aviv Art Film Festival.

Recommended Retail Price £19.99 – but available from my website for only £14.99, or €17.00 or $24.00 each, plus £2.00 postage and packing in the UK and €4 for Europe and $5 for the USA, Australia and other territories. Payment is via Paypal, though you can pay with all major credit cards too.

Buy here:

http://www.benlewis.tv/shop/the-great-contemporary-art-bubble-dvds-for-sale/

Pantone iPhone 4 Cases from CASE SCENARIO in Pantone Color Yellow C

The Case Scenario Pantone Universe IPhone 4 cases come in nine colors, primary (Red, Green, Blue), complimentary (Yellow, Orange, Magenta), and dark tones (Cool Gray, Lead, Black)… ENJOY!

US$36.o0

Buy here:

http://www.pantone.com/pages/products/product.aspx?pid=1131&ca=33

Gary Baseman Wallet by Poketo

Poketo is excited to release the Poketo x Gary Baseman limited-edition wallet series, which includes three exclusive wallet designs created from his paintings. The interior images of the wallets were taken from Baseman’s sketchbook archive, where he generates the ideas that eventually become his paintings. Each wallet offers a rare view into the prolific artist’s process from idea to finish, and shows the development of his recent work.

Made of durable vinyl (Double layer for extra strength). Contains 3 slots for credit cards, a bill slot, and a change purse. The wallet is 8.5″ x 3.75″ open, but folds perfectly to fit in your pocket (4.25″ x 3.75″). The wallet ships flat but once you fold it, stays folded. All wallets are limited edition and come with a matching pin and bio card of the artist.

US$20.00

Buy here:

http://poketo.com/shop/wallets?product_id=1216

Eric Fischl Bookplates from Printed Matter

Synopsis: These bookplates (Ex Libris) are printed on acid-free paper and come in an archival document box. There are 250 plates in each box including one that is signed and numbered. Printed by Derriere L’Etoile Studios, NYC.

Condition:
Category: Printed Matter Edition
Pages: 250
Dimensions (Height x Width x Depth): 7.5 x 13 cm.
Process: offset-printed
Color: color
Edition 100
Signed: Signed and Numbered

Price Info: $175.00

Buy here:

http://www.printedmatter.org/catalogue/moreinfo.cfm?title_id=6277

The Louvre: All the Paintings Book

An historic publishing event! Endorsed by the Louvre and for the first time ever, every painting from the world’s most popular museum is available in one stunning book. All 3,022 paintings on display in the permanent painting collection of the Louvre are presented in full color in this striking, slipcased book.

Comes with an enclosed, supportive DVD-ROM.

US$45.00

Buy here:

http://www.amazon.com/gp/product/1579128866?ie=UTF8&tag=workmanpublis-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1579128866

2011 Christmas Gifts for Art Lovers – artmarketblog.com

admin — Tue, 29 Nov 2011 12:08:26 +0000

2011 Christmas Gifts for Art Lovers – artmarketblog.com

That time again art lovers!!! Here is my annual list of top Christmas gifts for art lovers. Feel free to make suggestions as comments.

Syringe Pen from MONA (Museum of Old and New Art)

AU$12.50

Buy here:

http://mona.net.au/shop/ProductDetail.aspx?productID=39

Glass Picture Frame by Fracture

From US$8.00 to US$35.00

Buy here:

http://www.fractureme.com/

Artist Customised Moleskine Notebook from Moleskine

1. Artists use authentic Moleskine notebooks as their canvas.

2. Create one-of-a-kind art on the cover

3. And sell directly to you

**design pictured by CLOUDBERRIES

US$8.00 and up

Buy here:

http://artistmarketplace.moleskine.com/en/buy

Subscription to THE THING

US$200.00

Buy here:

http://www.thethingquarterly.com/subscribe.html

Fine Art Photography from PurePhoto

Various Prices

Buy here:

http://www.purephoto.com

Digital Limited Edition from s[edition]

s[edition] makes art collecting instant, affordable,
social and enjoyable.

As a collector, you receive regular information directly from the artist, get priority access to new editions and can connect to other collectors.

Turn your screens into art.

Various prices

Buy here:

http://www.seditionart.com/

The Great Contemporary Art Bubble DVD by Ben Lewis

Pantone iPhone 4 Cases from CASE SCENARIO in Pantone Color Yellow C

The Case Scenario Pantone Universe IPhone 4 cases come in nine colors, primary (Red, Green, Blue), complimentary (Yellow, Orange, Magenta), and dark tones (Cool Gray, Lead, Black)… ENJOY!

US$36.o0

Buy here:

http://www.pantone.com/pages/products/product.aspx?pid=1131&ca=33

Gary Baseman Wallet by Poketo

US$20.00

Buy here:

http://poketo.com/shop/wallets?product_id=1216

Eric Fischl Bookplates from Printed Matter

Condition:
Category: Printed Matter Edition
Pages: 250
Dimensions (Height x Width x Depth): 7.5 x 13 cm.
Process: offset-printed
Color: color
Edition 100
Signed: Signed and Numbered

Price Info: $175.00

Buy here:

http://www.printedmatter.org/catalogue/moreinfo.cfm?title_id=6277

The Louvre: All the Paintings Book

Comes with an enclosed, supportive DVD-ROM.

US$45.00

Buy here:

http://www.amazon.com/gp/product/1579128866?ie=UTF8&tag=workmanpublis-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1579128866

November New York Art Auctions Confuse Market – artmarketblog.com

admin — Fri, 25 Nov 2011 11:51:48 +0000

November New York Art Auctions Confuse Market – artmarketblog.com

The recent round of Contemporary, Modern and Impressionist art auctions produced some interesting results that require some serious analysis to understand. Thanks to Sotheby’s November Contemporary Art Evening Sale, which saw the record sale of four Clyfford still paintings, there has been plenty of confident banter surrounding the current strength of the art market. But is this confidence misplaced? A more widespread and objective analysis of recent art auctions would suggest so. Take the Clyfford Still auction for instance. The entire auction produced a total of $315,837,000, which was well above the $192,000,000 – 270,800,000 pre-sale estimate, and was also the company’s third highest Contemporary Art Evening sale total. However, the four Clyfford Still paintings made up $114 million of the sale total against a $71 million high estimate.

Considering that the four Clyfford Still paintings paintings were a complete and utter anomaly because of the fact that they should never really have gone to auction, and also because they represent a once in a lifetime, never to be repeated opportunity, I think it only fair that they be removed from the equation. After all, if 95% of Still’s oeuvre were not out of bounds it is unlikely that the prices being achieved for his work would be anything close to what they have been, right? What the sale of the Still paintings tells us about the market is that there is still plenty of money available when an opportunity arises to make a highly significant purchase.

Next on the agenda is Gerhard Richter whose Abstraktes Bild (849-3) 1997 set a new auction record for the artists of $20.8 million. A total of eight Richter paintings were sold by Sotheby’s for a total of $74 million against a pre-sale expectation of $27 million, which is a great result but not an unexpected one considering that a major retrospective of Richter’s work has recently opened at the Tate Modern in London. Sotheby’s should be congratulated for the success achieved with the sale of the Richter paintings that do deserve to be recognised in their sale total unlike the Still paintings.

What concerns me most is that when the prices achieved for the eight Richter works and the four Still works are combined the result is a startling total of $188,000,000 which is more than half of the entire total of the Sotheby’s sale. The reason this concerns me is that the numbers could easily be used to justify a bullish view of the art market – and have been numerous times over recent weeks. Although Sotheby’s did achieve an excellent result and deserve to be praised for winning the opportunity to sell the Still paintings, the results need to be approached with caution and a healthy dose of skepticism.

Christie’s didn’t fair as well as Sotheby’s with their Post-War and Contemporary Art Evening Sale managing 90% sold by lot and 87% by value for a total of $247,597,000 against an estimate of $226,450,000-$312,340,000. With commissions removed, Christie’s failed to break the low estimate although they did manage to set 16 new world auction records for artists including Roy Lichtenstein, Paul McCarthy, Charles Ray and Louise Bourgeois.

Phillips de Pury did okay with their Contemporary Art Evening Sale achieving 94% by value and 84% by lot with a sale total of $71,292,500 against an estimate of $66,560,000 – 97,970,000. A new world auction record was set for Richard Serra whose Palms sold for $2,322,500 against an estimate of $2,500,000 – 3,500,000.

The all important Impressionist and Modern Art sales failed to produce any spectacular results. Sotheby’s once again triumped over Christie’s with an evening sale total of $199,804,500 against a pre-sale estimate of $167.6-229.9 million and a sold by lot rate of 84%. Exceeding the May 2011 sale total, Sotheby’s set new auction records for Gustave Caillebotte, Tamara de Lempicka and Maxime Maufra with the top price of the auction going to Klimt’s Litzlberg am Attersee (Litzlberg on the Attersee) which sold for $40,402,500. The unusual “in excess of $25 million” estimate provided for Litzlberg am Attersee (Litzlberg on the Attersee) suggests that Sotheby’s had were unsure about how successful this work would be and thus chose to provide an estimate that ensured the greatest chance of a positively perceived result.

Christie’s Impressionist and Modern Art evening sale was estimated to achieve more than $215,000 but only managed a total of $140,773,500. The highlight of the sale was Max Ernst’s The Stolen Mirror, which sold for $16,322,500 against an estimate of $4,000,000-6,000000, setting a new artist record that more than tripled the artist’s previous record. A new auction record was also set for any single print sold at auction with Pablo Picasso’s La femme qui pleure selling for $5,122,500 against an estimate of $1.5-2.5 million.

Overall, the major November auctions produced relatively consistent results that suggest a market dominated by buyers who have the money to spend, and are interested in purchasing fine art, but only at the safe haven high end of the market. The fact that the market is relying on the work of a small number of highly desirable artists is concerning as it leaves a very small margin for error.

image:

Max Ernst (1891-1976)
The Stolen Mirror
signed ‘max ernst’ (lower right); signed again, dated and inscribed ‘max ernst 1941 product of France’ (on the reverse)
oil on canvas
25 5/8 x 31 7/8 in. (65 x 81 cm.)
Painted in 1941

Sotheby’s Clyfford Still Record Fails to Impress – artmarketblog.com

admin — Thu, 17 Nov 2011 00:05:24 +0000

Sotheby’s Clyfford Still Record Fails to Impress – artmarketblog.com

Sotheby’s seems to have re-ignited confidence in the art market with the results of their Contemporary Art Evening Sale. But I for one won’t be celebrating just yet because all I see is a market that reacted to an extremely rare opportunity to acquire works by an artist who is about to have 95% of his life’s work excluded from the market behind the closed doors of a museum. The fact that ANY of Clyfford Still’s works were able to be sold from the endowment is a miracle as both the artist and his widow, whose estate the works being sold come from, left stipulations in their wills that none of the the artist’s works from either estate were to be sold. Fortunately for Sotheby’s, the museum dedicated to Still’s work would not have been able to be built without the proceeds from the sale of some of his paintings. Because of the stipulations left in both wills, The Denver City Council, who are to receive the endowment and build the museum, had to challenge the will in court and then vote on whether or not to sell the paintings. Obviously, the decision was made to sell.

So, considering that most of Still’s works – 2400 works or 94% of his oeuvre - are in the collection to be installed in the Still museum, and considering that none of these works are likely to ever come onto the market again, the opportunity to purchase a major Clyfford Still painting from the endowment was too good to ignore. And, in my opinion, would have been too good to ignore even in a depressed market because of the nature of the opportunity (not that I am suggesting that we are in a depressed market). What I will suggest, however, is that the stellar prices paid for the Still paintings was not a result of their art historical importance or artistic value, but was a result of the nature of the opportunity. I will also suggest that the Clyfford still paintings sold by Sotheby’s were an irrelevant anomaly in the scheme of things that is in no way an indication of the strength of the art market.

If you want evidence that the Still paintings are over-rated then look no further than the auction history of “1949-A No. 1″, the US$61,682,500 superstar of the Sotheby’s sale. Although conspicuously absent from the provenance and history of the paintings as provided online by Sotheby’s, this painting has been offered for sale before. Although I couldn’t find pics of the “1949-A No. 1″ painting sold in previous years, Still’s obsessive approach to the naming of his works that consist of letters, dates and numbers that signify the order in which they were created makes it incredibly unlikely that two paintings with the same name exist. The last time that “1949-A No. 1″ was sold was in May 1990 when Christie’s offered the work with an estimate of $3.5 million to $4.5 million but failed to sell it. A quote from the time of the auction by Martha Baer, Christie’s top specialist in contemporary art, states that “We haven’t experienced a major Still painting in the boom market for contemporary art that began two years ago.” After the auction, auctioneer Christopher Burge was quoted as saying that the big disappointment was was Clyfford Still’s “1949-A. No. 1″ which failed to sell after bidding in the jammed gallery stopped at $3 million. Burge then went on to say that the reserve was not met requiring the work to be withdrawn from sale. The other work by Still offered for sale during the 1990 auction was “1955-D” which had an estimate of $3 million to $5 million but was allowed to sell for a mere $1.1 million. Doesn’t seem like a market hungry for Still’s work to me !!

The auction record for a Still painting prior to the 1990 sale was only $797,500, which was paid for an untitled 1954 work at Sotheby’s in 1985. Accord to an Los Angeles Times article from 1985, “Clyfford Still’s old record of $165,000 toppled twice, when a 1954 abstraction from the collection of Francois de Menil brought $797,500 and a 1948 work from a European private collection was knocked down for $577,500.” A jump to $3.5 million five years later during a boom time seems pretty reasonable, doesn’t it? So why didn’t “1949-A. No. 1″ sell in 1990?

Overall, the market history of Clyfford Still’s work has been far from impressive. I don’t deny that his work has perhaps been undervalued at times, but not to the tune of tens of millions of dollars. If more of Still’s works were available on the market, and a not to be repeated opportunity to purchase a painting from his widow’s estate had not arisen, I doubt we would be so interested in Still’s work or would have such confidence in the art market.

To be continued…………

Image:

Clyfford Still

1949-A-NO . 1
signed and dated Clyfford 49; signed and titled 1949-A twice on the reverse
oil on canvas
93 x 79 in. 236.2 x 200.7 cm.

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